The song was released as part of "The Stooges 01" pack DLC from the Rock Band series. It was also used in the games Vietcong and Grand Theft Auto IV, the latter of which features Iggy Pop as a radio DJ. #IGGY POP I WANT BE YOUR DOG TV#The song is featured in Lock, Stock and Two Smoking Barrels, Transporter 3, Friday Night Lights, The Crow: City of Angels (in which Iggy Pop played the role of Curve, one of the villains), Crimson Rivers II: Angels of the Apocalypse, the skateboard video by Flip entitled "Sorry", an episode of TV show Skins (Episode 2.9: "Cassie"), an episode of the TV sitcom How I Met Your Mother (Episode 2.16: "Stuff"), in the 2010 film The Runaways, and film Sid and Nancy, as well as the documentary film " Dogtown and Z-Boys ". Pitchfork Media placed it at number 16 on its list of "The 200 Greatest Songs of the 1960s". In 2004, the song was ranked number 438 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time. This sense of working class disfranchisement was widely echoed later by the Sex Pistols and Public Image Limited. The lyrics have been described as evoking a sense of lubricity and self-loathing, a monument to a state of blue-collar tedium and alienation of their era, late 1960s industrial Michigan. The 3-minute-and-9-second long song, with its raucous, distortion-heavy guitar intro, pounding, single-note piano riff played by producer John Cale and steady, driving beat, established The Stooges at the cutting edge example of the heavy metal and punk sound. Its memorable riff, composed of only three chords (G, F♯ and E), is played continuously throughout the song (excepting two brief 4-bar bridges). The song is featured on their self-titled debut album. To see more, visit Fresh Air." I Wanna Be Your Dog" is a 1969 song by the American rock band The Stooges. He's a shirtless, good-guy knight after all.Ĭopyright 2022 Fresh Air. He founded a style as much as Little Richard or Buddy Holly and he has a core cluster of wild man anthems that will make people gasp and laugh for a long while. So is Iggy less captivating now that he's no longer beneath the underdog? Not necessarily. The slowish number that works best on Roadkill Rising is Iggy's hearty but tender reading of the McCoys' "Hang On Sloopy." For all his screams of personal nihilism and fury, it may be the most autobiographical statement on the set. And that's what Iggy wants.Īs the fourth disc indicates, lately he's tried to kick the perversity up a notch by showcasing his sensitive side. He starts the tune over and over again until you want to holler that trying to sing a boozy dirge to a crowded mass of zonked maniacs may not be a smart plan. During a heated show in 1980, he can't get the audience to calm down enough for him to cover "One For My Baby (And One More For the Road)." He curses and rages at the fans and they do the same at him. In his weird way, however, Iggy can turn that to an advantage. He cannot develop momentum or build to a big finish - when his tempo falls, the show usually slides to a halt. The Roadkill Rising set confirms that Iggy's biggest flaw is that he has trouble with slow tunes. He was "the world's forgotten boy" and, in one deathless turn on the track "I Wanna Be Your Dog," a submissive canine. From Day One in the late '60s, he was bad and mad all the way down. And hippies were a milder, fuzzier version of the same misunderstood souls. Of course, these were stand-ins for the performers themselves, good guys pushing what the squares considered pernicious garbage. In the early days of rock-and-roll songs, a constant character was the social outcast - a misfit who was, deep down, a knight in black leather. Perhaps a better question is, how can you spoil someone so devoted to imperfection? Flaws and foul-ups have been part of Iggy's plan from the start - part of what makes him an arch-punk. So you have to ask - has success spoiled Iggy Pop? Yet 10 years into the 21st century, he has enough of an established audience to support a boxed set of rough-edged performances that span more than four decades. Back in the late '70s, Iggy, like Keith Richards, was supposed to already have a coffin with his name on it. This is more of a reflection on surprising endurance. If you even think you would enjoy four CDs of unreleased Iggy Pop concert bootlegs - with dropouts, feedback and lots of flubbed notes - you don't need me to tell you about it. I'm not presenting much of a consumer guide here.
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